When was the last time you had a really good sit-down soul-satisfying conversation with somebody? Notwithstanding the pandemic, it’s surely a given in today’s society that we have become a nation of non-listeners. We have a tendency to interrupt with our own opinion, or maybe we’re not really listening at all but thinking about what our reply will be. I blame this general lack of attention on the instantaneous nature of the internet. We have become so accustomed to conducting everything at high speed, that we’ve lost the fine art of conversation….in person….not by text or tweet. It takes time to have a conversation, and two people who are willing to truly listen to each other’s words. Someone may say they are fine, but you can tell from the tone of their voice or facial expressions that they’re not, and so you ask questions, and then listen carefully. Listening better was one my goals this year, so it was with great anticipation that I ordered Julia Cameron’s latest release, The Listening Path – The Creative Art of Attention.
Publisher’s Blurb from Goodreads:
The newest book from beloved author Julia Cameron, The Listening Path is a transformational journey to deeper, more profound listening and creativity. Over six weeks, readers will be given the tools to become better listeners—to their environment, the people around them, and themselves. The reward for learning to truly listen is immense. As we learn to listen, our attention is heightened and we gain healing, insight, clarity. But above all, listening creates connections and ignites a creativity that will resonate through every aspect of our lives.
Julia Cameron is the author of the explosively successful book The Artist’s Way, which has transformed the creative lives of millions of readers since it was first published. Incorporating tools from The Artist’s Way, The Listening Path offers a new method of creative and personal transformation.
Each week, readers will be challenged to expand their ability to listen in a new way, beginning by listening to their environment and culminating in learning to listen to silence. These weekly practices open up a new world of connection and fulfillment. In a culture of bustle and constant sound, The Listening Path is a deeply necessary reminder of the power of truly hearing.
Why I Liked It: I didn’t. I don’t even know how it got published. Normally I wouldn’t review a bad book, because I would have quit reading it, but I finished this one out of respect for the author, the creativity expert and author of 40 books most of them truly inspiring, including her first, The Artist’s Way.
I read The Artist’s Way back when it was first published in 1992, and enjoyed it, although I’d have to say I found the Morning Pages a bit OCD. I even tried them once during a week’s vacation, but who has a spare hour in the morning to write out three long hand pages of stream of consciousness stuff. (This was in the days before computers, but she still requires they be hand written, and never in the evening!) Unless you were seeking clarity or trying to solve a problem, and even then wouldn’t you get sick of whining about it day after day, I just couldn’t see the point. For many people those early morning hours are often the most productive of the day, and for some, the only time they get any writing done at all. The Artist’s Dates and Meditative Walks were fun and helpful suggestions though. It was a twelve week program for discovering your creative self, which grew out of a writer’s workshop she taught, although the art can be any genre – writing, painting, music, etc. A best-seller at the time, the book has never been out of print and a few years ago they re-issued a 25th anniversary edition, but it can be found at book discount places, as can many of her other popular books on creativity. I own several of her earlier works and found them uplifting, especially for people who may not have anyone who encourages their writing, or even understands it. She’s revered as the Cheerleader of Creativity.
But back to The Listening Path:
The Publisher’s blurb sounded good, but this book was a disappointing read on so many levels. It’s a slim 180 page volume, with a long 40 page introduction, which is basically a recap of The Artist’s Way, and six chapters, Listening to the Environment, Others, Our Higher Self, Beyond the Veil, Silence and Our Heroes, with the chapters getting progressively shorter, so that towards the end they were only 4 or 5 pages. The pages themselves had a weird format of very narrow columns (4 inches), designed to make the book appear longer.
The Beyond the Veil chapter (where she connects with the world beyond and her spirit friend Jane tells her not to second-guess herself, the book is going well), reminded me of a seance. (Jane, if you’re listening, it was bad advice). The listening to others chapter, which should have been the gist of the book, consisted of interviews with her artist friends and acquaintances, who may be perfectly nice people but are not experts in the field and had nothing interesting to offer other than their personal opinions. (I could just as well interview my friends about listening but then medical people like jargon and brevity. I inadvertently offended a newly minted colleague once when I said cut to the chase.)
There were lots of walks with her dog Lily (a cute but yappy little Westie terrier) in the Santa Fe area where she lives, constant weather reports on storms and hail, feeding the dog salmon, and something called gravlax to stop her from barking and annoying the neighbors. “Lily! Salmon! Treat!” was repeated so many times, (pages 44, 45, 47, 56, 97 and whenever there was a thunderstorm), it got to be annoying. She has a bad connection on her landline, (several pages on that including dialogue), feels “bludgeoned” by a friend’s dietary advice that she eat more protein, (ditto….sister you don’t know what a bad day is), worries about whether she can afford a house (yes her accountant says she can, and a maid too)….basically it was a whole lot of repetitive personal trivia, zero research and nothing much at all to do with the topic of listening. Unless you’re writing a personal blog, sharing anecdotes for a reason, and/or lead an interesting life, this kind of stream of consciousness stuff might better be left to Morning Pages, not published in a hardcover format for $50 Cdn ($36.99 US).
Her one and only novel, Mozart’s Ghost was like that too – I swear the protagonist lived in the laundry room, but after 43 rejections (page 19) what would you expect? Not that you can’t branch out and try something new, but sometimes an author can be good at one genre, but not others. (I loved Frances Mayes series of Under The Tuscan Sun travel books, but her attempt at a chick-lit novel was painful). If you like an author, you expect only good things from them, and are doubly disappointed when they don’t deliver.
The Listening Path was written pre-pandemic, and while many people have been lonely during this past year, with no company and their only social outlet walking the dog, if you read between the lines this book spoke volumes about how solitary a writer’s life can be. She needs to ditch the desert, move back to New York and re-read her own books for inspiration.
I didn’t sense too much joy in the creation- more of a pounding out the pages to meet a deadline. There was a lot of self-doubt which I don’t remember from her earlier works. Was her stuff out of date (yes, Morning Pages)? There was much angst about teaching a course in London she has taught for decades – how can someone with 40 books be so lacking in self-confidence and so insecure. I perked up at the mention of London though, it sounded much more interesting than walking in Santa Fe.
I even wondered if she was well, maybe even depressed? I read her 2006 memoir, Floor Sample, many years ago, and what struck me was what an unhappy life she had lead, because the memoir was such a direct contrast to her positive encouraging books. She was married at one time to director Martin Scorsese (a man she declares she still loves – page 114), has a daughter and a grandchild and is a decades long recovered alcoholic. I suspect AA inspired her writer’s workshops, hence the 12 week programs.
Normally if I’m struggling with a book, I’ll hop on Goodreads and if enough people share my opinion, then I quit. (Too many DNF’s mean it’s not me, it’s you dear author, keeping in mind of course that some of those glowing reviewers may be receiving free copies). But I soldiered on….it was readable, but barely, in a train wreck sort of way.
All in all, it was a timely topic which just didn’t translate, and I was left with a sense of disappointment, but you’ll be relieved to know there was a happy ending, as Lily got one of those anti-bark “citronella spray” dog collars. I didn’t even know such a thing existed, but apparently dogs hate the smell of citronella. Yes, that was how the book ended, with a short section entitled, “The Neighbors Rejoice.” I may pass that tip along to my neighbors.
This brings up the question – what does a publisher do when a best-selling author turns in a sub-standard manuscript? A good editor will hand it back to be fixed, or they may just publish it, take the money and run. It might be better to abandon it though and save the author’s reputation. Julia Cameron is 73 now, aren’t writers allowed to retire? (Another recent example of this is Jodi Picout’s latest, The Book of Two Ways, a four hundred page disaster which defies description, although I’ll try in a future blog). Same with the author – it’s hard to be objective especially when you’ve put so much work into something, and it’s also hard to admit when something just isn’t working. Books are subjective, but if the general consensus/feedback isn’t good, then you know there’s a problem.
If you want to read a good book by Julia Cameron, I would highly recommend this one.
Julia Cameron has inspired millions with her bestseller on creativity, The Artist’s Way. In It’s Never Too Late To Begin Again, she turns her eye to a segment of the population that, ironically, while they have more time to be creative, are often reluctant or intimidated by the creative process. Cameron shows readers that retirement can, in fact, be the most rich, fulfilling, and creative time of their lives.
When someone retires, the newfound freedom can be quite exciting, but also daunting. The life that someone had has changed, and the life to come is yet to be defined. In this book, Cameron shows readers how cultivating their creative selves can help them navigate this new terrain. She tells the inspiring stories of retirees who discovered new artistic pursuits and passions that more than filled their days—they nurtured their souls.
A twelve-week course aimed at defining—and creating—the life you want to have as you redefine—and re-create—yourself, this book includes simple tools that will guide and inspire you to make the most of this time in your life:
– Memoir writing offers an opportunity to reflect on—and honor—past experience. This book guides you through the daunting task of writing an entire memoir, breaking it down into manageable pieces.
– Morning Pages—private, stream-of-consciousness writing done daily—allow you to express wishes, fears, delights, resentments, and joys, which in turn, provide focus and clarity for the day at hand.
– Artist Dates encourage fun and spontaneity.
– Solo Walks quell anxiety and clear the mind.
This fun, gentle, step-by-step process will help you explore your creative dreams, wishes, and desires—and help you quickly find that it’s never too late to begin again.
This book is geared more for middle-aged folks like me facing their second acts…..those reluctant souls who maybe always wanted to do something creative but lacked the courage to try. I read it back in 2016 and it was a big factor in starting my blog, although it was a whole year before I actually wrote anything on it, and another three months before I made it public. (My creative soul was a bit rusty). This book was an inspiring read, which truly delivered.
PS. Two out of three isn’t bad, and goes to show that even the best of writers have their duds. Do you think it is better to abandon a book which just isn’t working and move on to something else, or stick with it and carry on?
PS. I’ll be exploring more on the dichotomy between a writer’s books and their life, in a future blog about L.M. Montgomery, of the Anne of Green Gables series.